Although lacking in some respects compared to the French original (you end up hoping that Bridget as assassin will pulverize her whimpering boyfriend with one of those big, big machine guns), Bridget Fonda as the star and Nina Simone with the soulful soundtrack give this movie the edge over La femme Nikita in at least two important departments. Bridget's performance here amazes me every time I see it--simultaneously believable as a feverishly trained assassin and a tragic hero so cute you just want to reach out and pinch her cheeks. But the highest marks go to the soundtrack. The writers of the adaptation wove in Nina Simone as a motif throughout the movie, well-complemented by 5 Nina songs, including "Feeling Good" and a cover of "Here Comes the Sun" tracked to the "relationship" scenes that /ALMOST/ make you forget how much you'd like Bridget to terminate her relationship with extreme prejudice..... Provides soulful reflection absent from the French original, and worth watching more than a few times for that reason alone. Pretentious naysayers say this remake has gone through the Hollywood ringer, but it's an A+ action-flick-plus-morality-tale spun before Quentin Tarantino made it socially acceptable for PBS-watchers to admit they like 'em. Give it a chance. By Keith Levenberg
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