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Monday, April 28, 2008

You Can Heal Your Life - the movie (2007)



A Movie of Affirmations, Healing, Inspiration!

This wonderful film is 1:25 long, and its theme is that if you change your thinking, you can change your life, especially via affirmations. You generate emotional power behind the affirmations, and then take actions that support the affirmations.

The film also contains Louise Hay's moving personal story. It includes a parallel drama with the story, interspersed with the commentators---somewhat in the style of "What the Bleep", but the drama is much less a focus, and the interviewees more of a focus.

There is much more specific information here on how to work with affirmations. People that are interviewed as a part of the DVD are Louise Hay, Wayne Dyer, Esther & Jerry Hicks, Gregg Braden, Gay Hendricks, Dr. Christiane Northrup, Doreen Virtue, Cheryl Richardson, Candice Pert, Dr. Mona Lisa Schulz, Leon Nacson, and Elon Bomani. Here are some sample quotes:


"We have control over the experience of our life, if not the events of our life."---Christiane Northrup.

"Anything you complain about repetitively is something you have an unconscious desire to produce."---Gay Hendricks








The material also explores forgiveness, healing, wholeness, emotional health and feelings, self-love, self-acceptance, and self-worth.

Much of the beautiful music on the DVD is done by Jim Brickman.

I highly recommend this DVD. However, if you are a fan of Louise Hay's work, I would suggest that you buy her DVD set by the same title (two DVDs, called "Expanded Version"). The expanded version includes extras that many people will want, although it costs twice as much. I have also reviewed the expanded version, so if that interests you more, read about the extras there. However, if you are just looking for the movie, and/or want to save some money, you'll be thrilled with the basic film alone, I'm sure.

Highly recommended.
By O. Brown


Saturday, April 26, 2008

La Guerre du feu (1981) AKA Quest for Fire


Quest for Fire is so detailed in its depiction of prehistoric man that it might have been made by time-traveling filmmakers. Instead it's a bold and timeless experiment by visionary director Jean-Jacques Annaud (The Bear), inviting scientific debate while presenting a fascinating, imaginary glimpse of humankind some 80,000 years ago. Using diverse locations in Kenya, Scotland, and Canada, Annaud tells the purely visual story of five tribes (some more advanced than others) who depend on fire for survival. They "steal" fire from nature, but the actual creation of fire remains elusive, lending profound mystery and majesty to the film's climactic, real-time display of fire-making ingenuity. Employing primitive language created by novelist Anthony Burgess and body language choreographed by anthropologist Desmond Morris, a unique ensemble of actors push the envelope of their profession, succeeding where they easily could've failed. They're carnal, violent, funny, curious, and intelligent; through them, and through the eons, we can recognize ourselves. --Jeff Shannon



The authenticity of the "language" in this film comes from the work of authors Anthony Burgess ("A Clockwork Orange") who created the spoken languages and Desmond Morris ("The Naked Ape") who worked on the body language and gestures.

Along the way, the three knights-errant encounter the usual animal and human hazards, including a group of cannibals. From the latter they rescue a damsel in distress, a member of a distant plains-dwelling tribe captured to be eaten. The rescuers take her back to her people, who, lo and behold, know how to create fire from scratch.



Torrent: here (mkv format)

Natuurteevee

It is not only the BBC or National Geographic who make fascinating nature programmes. Through images, Natuurteevee endeavour to bring nature to you in an original manner. Not so much from a scientific point of view, but rather by looking at the wonder and poetry of nature. Natuurteevee propose programmes for children, youngsters and adults alike.





Tuesday, April 22, 2008

The Passion of the Christ (2004)

By his wounds, we were healed.

After all the controversy and rigorous debate has subsided, Mel Gibson's The Passion of the Christ will remain a force to be reckoned with. In the final analysis, "Gibson's Folly" is an act of personal bravery and commitment on the part of its director, who self-financed this $25-30 million production to preserve his artistic goal of creating the Passion of Christ ("Passion" in this context meaning "suffering") as a quite literal, in-your-face interpretation of the final 12 hours in the life of Jesus, scripted almost directly from the gospels (and spoken in Aramaic and Latin with a relative minimum of subtitles) and presented as a relentless, 126-minute ordeal of torture and crucifixion. For Christians and non-Christians alike, this film does not "entertain," and it's not a film that one can "like" or "dislike" in any conventional sense. (It is also emphatically not a film for children or the weak of heart.) Rather, The Passion is a cinematic experience that serves an almost singular purpose: to show the scourging and death of Jesus Christ in such horrifically graphic detail (with Gibson's own hand pounding the nails in the cross) that even non-believers may feel a twinge of sorrow and culpability in witnessing the final moments of the Son of God, played by Jim Caviezel in a performance that's not so much acting as a willful act of submission, so intense that some will weep not only for Christ, but for Caviezel's unparalleled test of endurance.

Leave it to the intelligentsia to debate the film's alleged anti-Semitic slant; if one judges what is on the screen (so gloriously served by John Debney's score and Caleb Deschanel's cinematography), there is fuel for debate but no obvious malice aforethought; the Jews under Caiaphas are just as guilty as the barbaric Romans who carry out the execution, especially after Gibson excised (from the subtitles, if not the soundtrack) the film's most controversial line of dialogue. If one accepts that Gibson's intentions are sincere, The Passion can be accepted for what it is: a grueling, straightforward (some might say unimaginative) and extremely violent depiction of the Passion, guaranteed to render devout Christians speechless while it intensifies their faith. Non-believers are likely to take a more dispassionate view, and some may resort to ridicule. But one thing remains undebatable: with The Passion of the Christ, Gibson put his money where his mouth is. You can praise or damn him all you want, but you've got to admire his chutzpah. --Jeff Shannon




Coyote Ugly (2000)


The Party Never Ends.

This movie was a big surprise to me. I expected to like it, but not as much as I did. The trailers don't do justice to the plot. It's a story of leaving home, making it on your own in the "big city", life and love, hopes and dreams. I know that sounds corny, but it's true. Add that to beautiful girls dancing on the bar, and you've got a hit all around! Don't be fooled by the trailers, this is not just a "guy movie." (by loril731)

I agree!
A very nice and underrated movie!

When young Violet finally follows her dream and moves to New York to become a songwriter, she knows little about the big city. All her efforts to get a demo tape to a producer are useless, additionally her apartment is broken in to, leaving her with nothing. But a coincidence leads her to Coyote Ugly, a night club where only beautiful women call the shots, using their female attraction to drive the guests just crazy. Violet manages to get a position and starts learning the ways of the city. After getting in trouble because of a misunderstanding, Violet's new friend Kevin tries to rid her of her stage fear so that she can perform her songs herself. Violet's father Bill does not like her new job as well as her leaving him, but it's all part of growing up.



As a producer, Jerry Bruckheimer makes movies for guys, mostly action films like Top Gun and Gone in 60 Seconds. The ones he makes that feature women, such as Flashdance and now Coyote Ugly, broaden their appeal with a fondness for "strong women." For Bruckheimer, that means self-determined, attractive women who don't need men to get what they want. Is there anything sexier than that? In Coyote Ugly, the charming young waif Piper Perabo stars as Violet, a New Jersey waitress who moves to New York to make it big as a songwriter. She has absolutely no idea how the music business works, relying instead on her faith in her own abilities. In order to make ends meet, she gets a job in a bar called Coyote Ugly, where the bartenders are scantily clad women who dance on the bar and order around their mostly male clientele. Really, they are strippers who don't have to take off their clothes. In fact, the owner (Maria Bello) orders them to enact the first rule of strip clubs: "Appear available but never be available." Bruckheimer is smart enough to focus on the naive girl instead of the seamier side of the story, following her as she realizes her dream and picks up a disposable but nice man along the way. Further "empowering" the female figures in the film, Zoe (Tyra Banks), the bartender whom Violet is replacing, leaves in order to go to law school. See? They're as smart as they are sexy! Then there's John Goodman, who turns in an absolutely charming performance as Violet's concerned father. This is a sweet and inoffensive film as long as you don't think too much about it. --Andy Spletzer





Torrent: here (Updated april 22)
All subs: here

Nell (1994)


Foster's most challenging and impressive performance

While Hollywood is filled with movie stars, it can boast of only a scant few bona fide actresses. Jodie Foster, the consummate professional, is the cream of that small crop, and I respect no other actor or actress on earth as much as I respect her. Nell is a testament to her unlimited talent as well as her unmatched commitment to what she does. The character of Nell is a role most actresses would never consider taking; it's a far too difficult challenge to meet for a film that holds little promise to bring in money hand over fist. For Jodie Foster, though, what matters is the story to be told, not the glamour or the projected box office receipts. She gives an absolutely amazing performance in this film, one that has deserved far more attention than it has received; as I write this, there is not even a DVD version of the film available. If Nell is mentioned at all, it is almost always in reference to Jodie's Foster nudity in the film, and I would like to say straight out that her nudity is very tastefully done, important if not absolutely necessary for the story, and in no way provocative.

Nell is a poignant, emotional drama that saddens as well as inspires you; it is the kind of tearjerker in which your tears of empathy and concern are accented by a smile and sense of heartwarming joy. The story is set deep in the wilderness of western North Carolina, where an old woman has lived for years all by herself. People always thought she lived alone, at least, until she died and the local doctor discovered a pitiful woman-child hiding inside the shack, the only home she had ever known. Nell's mother had suffered a stroke many years earlier and spoke with a pronounced speech impediment; as a result, Nell speaks a tongue that is almost completely foreign to both the local doctor and the psychiatric professional he calls in from Charlotte. Dr. Lovell (Liam Neeson) becomes a guardian angel of sorts to Nell, fighting the courts and the mental health professionals to keep Nell in her native environment as opposed to being stuck in some institution where she will be treated as a lab subject. He gets three months to work with Nell himself, and his potential foe in the form of psychologist Paula Olsen (Natasha Richardson) becomes his ally in time, as they both work with Nell to learn her unique language and prepare her for a life completely unlike that which she has always known. In her own special way, Nell helps the two doctors as much as they help her, yet their ability to protect her from a dire future of lonely clinical existence remains in doubt up until the very end.

Neeson and Richardson are wonderful in their roles, but Jodie Foster is simply amazing. She had to learn a completely new, invented language as well as adopt a wide range of meaningful facial and body expressions and unique mannerisms in order to portray this "wild child" as a very real, very human individual. Nell is easily one of Foster's most impressive performances, and how she did not win an Oscar for this role is beyond me. It should also be noted that Foster produced as well as starred in this unforgettable film. The scenery, I might add in closing, is also spectacular. Filmed largely in the Nantahala National Forest in Graham County, North Carolina, a location just west of my own home, Nell is a beautiful sight to behold in more ways than one. Hollywood needs more powerful, moving films such as this. By Daniel Jolley "darkgenius"


Torrent : here (Updated april 22) and ... Yes it is English. :)
All subs : here

Rabbit-Proof Fence (2002)


If you were kidnapped by the government, would you walk the 1500 miles back home?

Between 1905 and 1971, the Australian government had a horrible policy. They forcibly removed all half-caste Aboriginal children to special training schools. The grown daughter of one of these children wrote a book about her mother's experiences. This film is an adaptation of that book.

The story takes place in 1931, when Molly, then 14, her sister Daily, then 8, and her cousin Gracie, then 10, are literally torn from the arms of their mothers, put in a cage, and taken 1,200 miles away to a school which is actually a sort of prison. Here, they are forbidden to speak their own language, they have to attend a Christian church, and are taught the ways of the white Australian culture around them. Led by Molly, the girls run away. And most of the film is the odyssey of their trek back home, following the rabbit-proof fence that bisects Australia, constructed to keep rabbits out of the pastureland.






The villain is clearly the white director of the school. It is amazing, but he actually believes in the racial theories that were prevalent at the time. He believes he is helping them and plays his role well, coming across as stupid and misguided rather than evil. The Aboriginal girls are all unknowns, and terrific actresses, as are the women who play Molly and Daisy's mother and grandmother. The courage and determination of the girls during their three-month journey, the people they meet along the way, and their efforts to dodge the trackers who have been sent to retrieve them by the school, is truly inspiring. This is all set against the backdrop of the Australian outback; the cinematography certainly captures its beauty.



The film is 94 minutes long and moves quickly. I immediately identified with the girls and felt their fear as well as their bravery as they made their way across the Australian continent. In a postscript to the story, we learn more about their lives. It did not turn out to be pretty. But two of the girls have survived into their nineties, and we meet them briefly. They are strong women with weathered faces, one of them walking with a cane, but clearly at home in their Outback surroundings.



The film is a lesson in inspiration and courage as well as a geography and history lesson about Australia. I loved it and highly recommend it. By Linda Linguvic


Torrent : here (Updated april 22)
All subs: here

Short Cuts (1993)


Brilliant Psychosocial Drama in Disjointed Cinematic Journey

In society, people end up with careers and lives through situational opportunity and the coincidence of chance that struck them at a sudden moment. Short Cuts grasps this notion as a large number of characters, 22 to be precise, interact directly or indirectly through a wide variety of different opportunities and chances. The connection is that these character's ties are of variable closeness, as some know each other, some get to know each other, and some never get to know of the existence of one another, yet every action has an effect on everyone. It is this moment, which Robert Altman seizes, as Short Cuts becomes a tale of the little and epic episodes of life.

Robert Altman does a marvelous job in depicting the small daily deceits that are made in order to keep family life intact. The idea is based on Raymond Carver's work which Altman freely adapts onto the silver screen, and he does a marvelous job grabbing Carver's atmosphere. The atmosphere is of a detached society where no true values or customs exists, and only where a temporary fix can provide instant happiness. This is supported by an excellent cast consisting of talented actors such as Andie MacDowell, Jack Lemmon, Jennifer Jason Leigh, Anne Archer, Matthew Modine, Julianne Moore, Robert Downey Jr., and Tim Robbins among many others.

In the opening scene, a large number of helicopters take off into the sunset while families can hear about threats of the Medfly through a broadcaster. The hovering sound of helicopters roams over the Los Angles urban and suburban communities as the news continues of the helicopters that are set out to spray an insecticide over L. A. in order to combat the threatening Medfly. Fearfully, families close their windows and doors in concern of possible side effects of the insecticide. The cinematic introduction of Short Cuts brings the audience an anxious trepidation of an unforeseen looming future, and it displays how differently people deal with the worrisome situation.

In the middle of the Medfly tragedy there are ten different stories intermingled as they all affect one another in different ways. These stories contain love, deceit, suffering, denial, fear, envy, forgiveness, and death as the different characters explore new ways of dealing with life. The approach used to face the difficulties of life often contain some sort of short cut, such as alcohol, infidelity, lies, and denial to provide a quick fix. However, the short cuts taken by the people often end up being much more painful to involved parties as it does not involve taking the time to tell the truth or be frank with oneself or others.

The many tales of Short Cuts concern men such as an unfaithful police officer, three men on a fishing trip finding a dead body, a stalking baker, and a vengeful helicopter pilot. These men often to try to express an outward masculinity, but the maleness looks feeble as they find themselves forced into a situation where they have to be nurturing and caring. This inconsistency supports the notion that the men seek a short cut of being male by behaving in an overtly tough manner, but instead the men find themselves in a quandary as they find their wife or girlfriend upset.


The stories also have interesting quick fixes in regards to the women, who either drink themselves into oblivion or live in denial. For example, there is the story of a jazz singing alcoholic mother that drowns her own sorrows in alcohol instead of communicating with her depressed musically gifted daughter. There is also a housewife that runs a phone sex business while changing the diapers and feeding their infant, but when her husband wants to have some fun she is quick to remember something in order to ruin the moment. In addition, there is the waitress who has an alcoholic boyfriend who seems to have advanced on her daughter in a moment of drunkenness to which the mother blames the alcohol.


The different stories all have something in common, as all characters avoid the truth and try to find an instant fix around the corner. Nonetheless, the film is not about the stories, but about the people in the story and how these people deal with joy and misery from day to day while things they cannot control affect them. Altman provides this cinematically through jumping around to the different stories while telling each tale in a disconnected manner that enhances the detached atmosphere and brings human behavior to the focus. The behavior of the people seems to become a product of the environment and the way they have been nurtured, which gives the film some interesting psychosocial insights.

After a three hour long journey the audience will have experienced a first class venture into cinema as the tale offers several possible narrations of what happens. This is much due to Altman and his unique storytelling, which has been seen in both Nashville (1975) and The Player (1992). It is also a result of the brilliant performance of a magnificent cast guided into an every day rut, which many people go through. Short Cuts will ultimately offer the viewer a fulfilling cinematic experience, which presents much contemplation upon every day behavior. By Kim Anehall "www.cinematica.org"


Torrent : here (Updated april 22)
All subs: here

Monday, April 21, 2008

A Time for Dancing (2000)



Their love of dance, and their friendship, is challenged for two high school girls when one is diagnosed with cancer.

A girl with powerful dreams for her future may not have the chance to live them out in this drama based on the novel by Davida Wills Hurwin. Samantha (Shiri Appleby) and Juliana (Larisa Oleynik) are a pair of high-school students who have been close friends for years. Both girls share a love of dancing, but while the more introverted Samantha sees dancing as a hobby and little more, the outgoing and upbeat Juliana has a genuine gift and dreams of attending Julliard. Determined to achieve her dreams, Juliana sets her sights on her Julliard audition while removing all distractions from her life -- including her boyfriend Eli (Scott Vickaryous). Juliana's life is turned upside down, however, when she learns she's contracted cancer, but while she wants to attend Julliard as if nothing has changed, her parents (Peter Coyote and Patricia Kalember) are vehemently opposed to the idea. Meanwhile Samantha worries about what her isolated life will be like without her best friend. A Time for Dancing was the first dramatic feature from cinematographer and documentary filmmaker Peter Gilbert. ~ Mark Deming, All Movie Guide










Thursday, April 17, 2008

Upcoming: The Happening (2008)

By M. Night Shyamalan


We've Sensed It.

We've Seen The Signs.

Now... It's Happening.




Release dates for
The Happening (2008)

Wednesday, April 16, 2008

Evanescence - Origin (2000)



Origin is the first full length CD released by rock band Evanescence on the Bigwig Enterprises label. Although it is occasionally considered to be Evanescence's first album, lead singer Amy Lee has explicitly said that she doesn't consider it to be an album but rather a "dressed up" demo CD. Released in 2000, Origin was only sold to concert audiences in their hometown of Little Rock, Arkansas and on the Bigwig Enterprises website. Only 2,500 discs were printed, but due to the band's increased popularity, significant numbers of pirated copies have been produced and sold (sometimes in the form of a "Russian Re-Release" with 19 tracks). These fakes make an actual copy less likely to be found. Members of Evanescence have stated that they prefer their fans to copy/download the CD rather than buy it.

Evanescence re-recorded three songs from this CD for their début album Fallen. While "Whisper" and "My Immortal" are fundamentally the same on both discs, "Imaginary" exhibited a major change in structure between Origin and Fallen. In addition to these three songs, the band continued to play "Even in Death" in concert until late 2003.


The following albums are available as a Perfect Rip (flac) download because they were never copyright protected:
Only the torrent include the 2 omitted tracks ...

Two songs, "Listen to the Rain" (a song Amy Lee wrote for her high school graduation which included her school's choir) and "Demise", were cut from the album. The band originally had "Eternal" as track 11, "Listen to the Rain" as track 12, and "Demise" as track 13. However, it was decided to merge "Eternal" and "Demise" and cut "Listen to the Rain" from the album. "Demise" became the outro of "Eternal".

Torrent: here

Tuesday, April 15, 2008

Mary Poppins 1964 [Special Edition 2004]


In 1964, Walt Disney Pictures, under the directorship of Robert Stevenson, released what became a timeless musical fantasy called "Mary Poppins". Starring Julie Andrews as the mysterious & magical Mary Poppins, the film is a fictional account of a dysfunctional family living in London circa 1910. The father, George W. Banks (David Tomlinson, who played Emelius Browne in "Bedknobs and Broomsticks" in 1971), is obsessed with his job at a prestigious Fidelity Fiduciary Bank and with maintaining a professional atmosphere at all times at home. The mother, Winifred Banks (Glynis Johns, whose film career began in 1938), is preoccupied with demonstrating as a suffragette and maintaining a clean home. Their young children, Jane (Karen Dotrice) and Michael (Matthew Garber, who died at the young age of 21 in 1977), are allowed minimal time with their parents, who prefer to have a nanny look after and raise their children for them. Unfortunately, Jane and Michael rarely like any of their nannies, who regularly quit after the children do something mischievous to each of them. Also working for Mr. & Mrs. Banks are the maid Ellen (Hermione Baddeley, who played Mrs. Cratchit in the 1951 classic "Scrooge") and the cook Mrs. Brill (Reta Shaw, who played in "Pollyanna" in 1960 and "The Ghost & Mr. Chicken" in 1966), neither of which have the time or the desire to look after Jane and Michael.

Following the departure of yet another nanny, George decides to hire an appropriate nanny himself. Jane and Michael write their own advertisement for a nanny, but George regards their innocent description as rubbish as he intends to find a nanny that will uphold his every professional expectation. Mysteriously, the children's advertisement, that George tossed out, comes to Mary Poppins. When a very lengthy line of perspective nannies are seen at the Banks' front door early one morning, all of them are blown away by a strong wind. Coming down from the sky via an umbrella is the magical Mary Poppins. Expecting a rush of perspective nannies to race through the door, only Mary Poppins waits to enter the Banks' home. George interviews Mary, but he is quickly confused by her wit and unexpectedly hires her. From that point on, nothing is quite the same in the Banks home and the children get a nanny that not only fulfills their expectations, but becomes something much more to them. Along the way, the children are also introduced to several interesting people, including the handyman Bert (Dick Van Dyke, who starred in his own 1961 TV show and starred in "Chitty Chitty Bang Bang"), Uncle Albert (Ed Wynn, who also played the toy-maker in "Babes in Toyland" in 1961) and the bird woman (Jane Darwell).

One of the most important aspects of "Mary Poppins" that transformed it into a timeless classic is its wonderful music as composed by Richard M. Sherman and Robert B. Sherman, as well as sung by its original cast.

Listen @ Amazon

Torrent: here (Disc 1 ONLY)

Bliss - Bliss (2004)


Pure bliss!

This is an album to explore and take time over. The songs are deep and textured, with many new wonderful musicians. African harp adds a delicacy to the song Thankyou while muted trumpet gives Child a classy almost jazz feel. The lyrics cover the usual bliss topics of the divine, unconditional love and the human struggle on the path to truth. An inspiring and touching album... be uplifted.


1. Thank You
2. Child
3. The Only One
4. Breathe On Me
5. Be Who You Were Born to Be
6. Peace On My Mind
7. War No More
8. Wait And Wonder
9. The Deep
10. Seabird
11. Hear Where You Lay
12. The World Is Lost To Me
13. Returning Home


Listen to Music from Bliss

Torrent: here

Discover True North : A Program to Ignite Your Passion and ...



A powerful formula for a life of achievement ... starting now

Created by leading motivational speaker and corporate trainer Anne Bruce, this highly effective plan helps participants discover their own "true north" in order to find a focus for success. Throughout Discover True North are invaluable exercises, worksheets, and insights for personal growth developed from Bruce's work with thousands of workshop members and clients throughout the world--from Sprint and Ben & Jerry's to The American Red Cross and the London Institute of Management.

Unlike other goal-oriented processes that call for long-range three-to-five-year life plans, working through this unique fourweek formula helps unlock potential immediately--today. Readers will learn how to:

* Activate and learn to rely on the inner compass to define life direction
* Create a Life Board of Directors
* Make the critical choices that move life forward
* Pinpoint their emotional and intellectual competencies
* Discover the "Einstein Approach" to brining forth you own genius


Book Info
Guide to discovering your own personal direction, or 'inner guidance system.' Provides exercises and insights to help readers see what they truly want out of life. Softcover. DLC: Self-actualization (Psychology).


WEEK 1: Do Less of What Lessens You. Do More of What Magnifies Your Soul, Your Gifts, and Your Higher Purpose

WEEK 2: No, You Can’t Be Anything You Want, but You Can Be Anything You’re Capable of Becoming

WEEK 3: Connecting with Your Spirit without Disconnecting from Your Brain

WEEK 4: Romancing Your Potential—Becoming an Upgradable Person



8 Easy Menu Ethnic Cookbooks



An introduction to Mediterranean and Middle Eastern cooking and food habits, featuring traditional recipes and including information on the history, geography, customs, and people of this region of the world.



* Cooking the Australian Way

* Cooking the Austrian Way

* Cooking the Indonesian Way: Includes Low-Fat and Vegetarian Recipes
* Cooking the Turkish Way: Includes Low-Fat and Vegetarian Recipes

* Cooking the Brazilian Way

* Cooking the Cuban Way: Culturally Authentic Foods, Including Low-Fat and Vegetarian Recipes

* Cooking The Mediterranean Way

* Cooking The Middle Eastern Way
Culturally Authentic Foods Including Low-Fat And Vegetarian Recipes




Torrent: here (6 books)
Torrent: here (2 books)

Demonoid Site is Back on-line



Apr/11/2008
Welcome back!

Since a few months ago, Deimos, the site administrator, lacks the necessary time to take care of the website, because of personal matters he's been needing to attend to. For this reason, he has decided to leave the site staff.

Before leaving, he assigned a new site administrator from among his friends to take care of the site. The old moderator team will continue helping with the site, unchanged. We will try to keep running everything just as it always has been.

The trackers and website seem to be working properly, and should any issues arise, they will be taken care of as soon as possible. The site might be going on and offline over the next days as we work out any problems.

Welcome back, and enjoy your stay!

- Umlauf
Demonoid Site admin

Monday, April 14, 2008

The Human Stain (2003)



Phillip Roth's Final Trilogy Tale Comes To Life On Screen.

Phillip Roth's final tale in his trilogy, "The Human Stain" is set in the summer of The Year Of Our Lord, 1998. Otherwise known as "Impeachment Summer", during which the Bill Clinton and Monica Lewinsky accusations took place, The Starr Report was released, and the whole sordid story of the infamous stained dress was on the lips of everyone, so to speak.

The film is told in flashback sequences with the narrator of the tale, writer and friend of main character, Coleman Silk's. His name is Nathan Zuckerman (a fabulous Gary Sinese). Incidentally, the character of Nathan Zuckerman is the author, Phillip Roth's alter-ego and is throughout the trilogy of novels.


Coleman Silk, played adeptly by Sir Anthony Hopkins, is a 71 year-old college professor at small New England Athena College. Coleman is wrongfully accused of racial slurs against a couple of absent pupils and loses his tenured position. This shocking news sends his beloved wife into sickness and before long, she succumbs...

If only his family, friends and all the people that Coleman Silk has touched throughout their lives knew the REAL story, such charges would have never been brought about in the first place.


Silk gets lonely and depressed quite quickly, finds the wonderful drug just produced by the name of Viagra and meets the illiterate but beautiful school janitor, Faunia Farley, played by Nicole Kidman. Faunia might be illiterate but she has graduated with honors from "The School Of Hard Knocks", both figuratively and literally by her Vietnam vet abusive husband Lester, played excellently by Ed Harris. Coleman and Faunia have a torrid affair with the whole New England town buzzing about the goings on. As they get closer and share with one another, Faunia's past is almost as shocking as Coleman's. In the final scenes of the film, all secrets are exposed...


Many critics said that the movie script itself was a masterpiece but it was grossly miscast with Hopkins and Kidman in the main roles. I disagree only because there are very few actors that could genuinely and convincingly portray the characters, let alone, carry a heavy drama such as this. The only actor that I could come up with for a recast on Coleman would be Frank Langella, in part because the physical characteristics of Coleman could have been a bit more believable to the viewer.

I must also mention the two actors who play an integral role in the flashback sequences of Coleman's youth. A terrific Wentworth Miller as Young Coleman Silk and an adequate Jacinda Barrett (from MTV's Real World London Cast) in a nice turn as young Coleman's college days lover, Steena Paulsson.

Once watching the movie, you will understand the many significant meanings of the title, "The Human Stain". Not only the stain of the original sin into which all of us are born, but the stain of hate, hurt, pain, racism, pacifism and yes, even love and death.

I highly recommend "The Human Stain" despite it's theatrical release mixed reviews and unfortunate lackluster box office draw.

Happy Watching! By Sheila Chilcote-Collins



Torrent: here
All subs: here

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