Wednesday, October 29, 2008

Undercover Blues (1993)

Romance and espionage with an explosive plot

Undercover Blues is one of those movies that are the first of its genera; so you are pleasantly surprised the first time you view it. Later you will want to view this movie again to pick up on the hints that tell you what is to come next.

Kathleen Turner and Dennis Quaid are the perfect couple on maternity leave in New Orleans. They do everything together and even involve their baby daughter (Louise Jane or Jane Louise.) They are so perfect that the local bad guy (Stanley Tucci) is constantly trying to get even with them. They are so perfect that the local authorities suspect them of being there on business. Are they and what business might that be?

This movie has lots of action and takes many unexpected turns. It is tightly made and every action has implications later in the movie. Oh, did I mention that it is down right funny? By B. Chandler "xyzzy"

Walt Disney's Story of Robin Hood

Medieval History

Robin Hood is an archetypal figure in English folklore, whose story originates from medieval times but who remains significant in popular culture where he is painted as a man known for robbing the rich to give to the poor and fighting against injustice and tyranny. His band consists of a "seven score" group of fellow outlawed yeomen – called his "Merry Men". He has been the subject of numerous films, television series, books, comics, and plays. In the earliest sources Robin Hood is a commoner, but he would often later be portrayed as the dispossessed Earl of Huntingdon.

The classic adventure of the man who robbed from the rich and gave to the poor. Listen for Alan Reed, best known as the voice of Fred Flintstone, who plays multiple characters on this Bozo Approved Record-Reader.

Listening Tip
Launch the audio and open the storybook. As you listen, advance the pages whenever you hear the narrator strum his lute.

Walt Disney's Story of Robin Hood
Alan Livingston
Told by Nestor Paiva with music by Billy May
Capitol DBX-3138 ©1952
(2) 10" 78RPM record album with storybook
Total Time: 12:46

Tuesday, October 28, 2008

Wag the Dog (1997)

Ahead of its time...literally

A lot of people knocked this film for being a rip-off of current events. Nothing could be further from the truth! What makes this satire so amazing is that its all coming true. For example:

1) This movie was made BEFORE the lewinsky/clinton scandal but the details were frighteningly similar

2) It told us the war of the future would be against dissident terrorists plotting against the US from camps in some remote country...years before we had heard of al Qaeda, 9/11, or a war in afghanistan

3) Watching Willie Nelson leading the 9/11 Tribute to Heroes telethon in singing "God Bless America" seemed like it was a rip-off of this movie.

To many, the premise of this movie may have seemed absurd when it was released. But each passing year reveals how closer it is to the truth than we think. For a scary, thought-provoking satire of Hollywood and Washington, check this movie out.
If it was a 2002 film, people would say it was a clever satire. That it was made in 1997 qualifies it as an absolute classic. By jon

A Hollywood producer. A Washington spin-doctor. When they get together, they can make you believe anything.

Not only was Barry Levinson's comedy shot in a relatively fast period of 29 days, the satire of politics and show business feels as if it were made yesterday. There's a fresh spin quite evident here, a nervy satire of a presidential crisis and the people who whitewash the facts. The main players are a mysterious Mr. Fix-It (Robert De Niro), veteran Hollywood producer (Dustin Hoffman), and a White House aide (Anne Heche). Can the president's molesting of a young girl be buried in the two weeks before an election? A war in Albania just might do the trick. In the good old days, the president would just invade. With modern technology, it's even cleaner. The hungry press looks for any lead, convenient misinformation is created by the latest Hollywood fakery ("all developed by the new James Cameron film") creating images and merchandise all instantly packaged. And it must be real, because it's on TV. David Mamet's script never questions the morals or the absolute secrecy needed to pull this thing off. He and director Barry Levinson have enough truth in the story to make you wonder what is real news and what is just promotion the next time you see CNN. Many of the supporting players impact the story with mere presence: Denis Leary as a quote man, Willie Nelson as a songwriter. The three leads are magnificent. With the similarities between history and this film, Wag will forever linked to the Monica Lewinsky saga. This video version contains a new minidocumentary focusing on the parallels of the film with the Bill Clinton scandal, including comments from director Barry Levinson and hosted by newsman Tom Brokaw. --Doug Thomas

Can my ISP find out what I'm downloading?

Short answer: Yes.

Long answer: It depends...

The absolute answer is yes, if an ISP wants to, they can monitor pretty much everything you do. The only way to avoid this is to use encrypted protocols, like SSL, which you may have seen used on some web sites. This encrypts all the data so that neither the ISP or anyone else other than the site you're connecting to, can view the data. Unfortunately, eMule doesn't support encrypted transfers, so ISPs can snoop on what you're doing any time they want.

However, whether they will or not is another matter. The volume of data passing through their network makes it impractical to watch any one specific user unless they have a good reason to. Some ISPs are using hardware that performs DPI (Deep Packet Inspection), which is supposedly capable of looking into every packet that passes through their network. They mainly seem to use it to determine what the user is doing in general so that the software can then decide whether or not to throttle the connection.

The anti-piracy groups would like ISPs to start snooping on users for the purposes of stopping copyright infringement, but information on ISPs actually doing this is limited at best. AT&T announced a plan to do use DPI to filter copyrighted material, but I haven't heard anything more about it.

So, yes they CAN see what you're downloading, but they probably aren't looking.

By: Rekrul (

More info:
Deep packet inspection

Unlike eMule, most BT-clients do support encrypted transfers ...
BitTorrent protocol encryption

The Kid (2000)

Facing your Childhood...

To be able to see through the eyes of a kid again ... this movie allows us to do that. Remember the dreams you had as a be an astronaut, a movie star, something big and important? And how often these dreams are pushed aside as the practical side of the world takes hold of us. How we are changed due to events beyond our control as we grow up and how we are changed by decisions we make when we are children. We lose focus on what is important and instead run after things that seem important, while we lose ourselve in the process.

The Kid is a smart movie that uses a child version of a 'successful' almost 40 year old Bruce Willis to show him what is important. It is a heartwarming movie that will make you laugh and maybe cry a little. In the end, hopefully it will make you think and reevaluate. Dreams are what makes us unique. And we are never too grown up to revisit those dreams, but if we let them go, we become mere walking husks...zombies if you will. So watch the movie and live a, I take that back, LIVE A LOT! By Melissa Markham

If you are doing inner child therapy, dont start, until you watch this movie. Probabaly among the best of disney's modern comedies, its ultimately something that is hard not to warm up to. The scenes with Bruce Willis and Spencer Breslin are pure gold. Jon Turtletaub injects something special into this film, which is enhanced by a great score. Unfortunately one feels that the story should have been fleshed out a little more than it was, otherwise it has the makings of a classic favorite. By aloha "amitabah"


The Kid (2000) - Trailer

Monday, October 27, 2008

True Lies (1994)

One of Arnie's and Cameron's best films.

Meet Arnold Swarzennegar - amazing James Bond type spy who's absolutely clueless as a husband and father. He starts out as impeccable as 007, who he is obviously spoofing, but then loses it and goes crazy when he suspects his wife (Jamie Lee Curtis) is cheating on him.

his best buddy, Tom Arnold from "Roseanne" fame, is the perfect comic foil. It's really Tom that makes this act/adv stand out from the crowd. The dialogue is fast, funny, and Tom takes it to the limit. Also up for a laugh is Bill Paxton, another Cameron regular (Aliens), who plays a seedy used-car salesman posing as a spy in order to seduce women. He really goes all the way, completely unafraid of playing a true idiot!

It's just so great to watch an act/adv with great action that isn't limited to the usual, off-hand quips from stoneyfaced he-men. This movie is one of my favorites because it's a great popcorn movie that delivers on many levels. It's not just an excuse to blow things up and no one takes themselves too seriously. Everyone obviously had a great time making this film and it shows. I hope they make the sequel soon. By shelley de lange


True Lies trailer

Sunday, October 26, 2008

Airport Terminal Pack

A Slice of History

The Academy Award-nominated Airport and the sensational sequels that followed are now together in one high flying collection, the Airport Terminal Pack. Prepare to take off for non-stop thrills and edge-of-your-seat excitement as you fly to extremes with Hollywood’s royal jet set, including: Charlton Heston, Burt Lancaster, Jimmy Stewart, Jack Lemmon, Lee Grant, Jacqueline Bisset, Dean Martin, George Kennedy and many more.

The Airport Terminal Pack is the definitive collection of the Airport series of disaster films produced in the 1970s. The release comes in a beautifully made digi-pack case which looks absolutely fantastic. This is surrounded by an outer box, with the title of the set embossed - definitely a quality much higher than originally expected! Inside has a picture montage from all the films, and a one sheet insert with a blurb about each film.

The original airplane disaster movie nominated for ten Academy Awards including Best Picture.

"The one with the little old lady and the bomb", mostly 707s, DC-8s and a few DC-9s. Boeing 707 was the biggest airplane available when the film was shot, the 'Jumbo' 747 had its first scheduled flight in January 1970 and just missed being cast for the film.
Widescreen, STEREO (although a little old and rusty)

Airport 1975

A mid-air collision leaves a 747 without a pilot and little hope for survival.

"The one with Charlton Heston and the singing nun" could finally show a 'Jumbo' 747 colliding with a smaller plane. For some strange reason, this movie was produced with mono sound.
Widescreen, Dolby mono. Even the full DVD from cdon dot com has mono.

Airport ‘77

A 747 is trapped underwater in the Bermuda Triangle. It’s a race against time and the elements to save the passengers and crew!

"The one with Jack Lemmon" - A fancy private 747 crashes in the Bermuda triangle, where the rest of the film takes place in underwater sets. The furniture wasn't even bolted to the floor! I think Lemmon was completely miscast as an action hero. Besides, filthy rich people stowing all their treasures on earth into an airplane have really asked for it!
Widescreen, Dolby mono.

The Concorde: Airport ‘79

At twice the speed of sound, the Concorde must evade a vicious attack by a traitorous arms smuggler!

The plot for this film was so silly that it's unintentionally funny. But it gives a rare opportunity to really see this advanced supersonic plane up close, also from the inside. All the more valuable now that the remaining planes have bee retired to museum pieces. French ladykiller Alain Delon speaks English in this film.
Widescreen, Dolby mono.

Saturday, October 25, 2008

Tea with Mussolini (1999)

A film that stirs the heart

A semi-autobiographical film directed by Franco Zeffirelli, telling the story of young Italian boy Luca's upbringing by a kind British woman and her circle of friends.

The film "Tea with Mussolini" deals with complex issues in such a subtle way that it is easy to dismiss if the viewer overlooks the intriquite relationships of the characters. How the characters evolve from being self-involved (their love of the arts and formalities) to becoming caring individuals and creating bonds that overcome the heirarchies of the social class structure due to race, nationality, war and a young boy that pulls them together.

Luca a young Italian boy copes with having no family due to being an illigitamate child in picturesque Italy during The Second World War. Lucas mothers death and his father's refusal to take him into his care due to a wife that would not accept him lead him to find a new family with his father's secretary (Joan Plowright) and her sociatal peers The Scorpioni (The Scorpions) named for the groups sharp wit and poisonous bite. This group takes young Luca into their privliged clique and shares in the education and introduces young Luca to The Arts which is the groups passion. Little do they know that by doing this they have began on a road to self change that will alter thier view on the world, thier friendships and detestations of others in the group.

This film is a story of compassion, friendship, art, family, accepatance, change, egos, jeolousy and shows the letting go of beliefs and the opening of hearts. The cast is first rate with the likes of Cher, Maggie Smith, Joan Plowright, Lily Tomlin and Judi Dench along with the perfect casting of the character Luca played by Baird Wallace (Luca: teenager) and Charlie Lucas (Luca: child) both of these fine young actors will grab the viewers heart and make him want to help with the caring of and the education of this heart grabbing character. Luca's troubles will affect the viewer and pull at one's heartstrings. Baird Wallace is talented young actor that holds his own and deserves praise and notice from the industry. Recomendations: Buy this film, it is a film with grit and emotions that will make you examine your own life and wish that you could have been as bleesed as Luca had. By "holden28"

(pictures from another source)

Joseph Campbell and the Power of Myth (1988)

The search for eternal truth ...

Joseph John Campbell (March 26, 1904 – October 30, 1987) was an American mythology professor, writer, and lecturer best known for his work in the fields of comparative mythology and comparative religion. His work is vast and covers many aspects of the human experience, and his philosophy is often identified with the phrase he coined: "Follow Your Bliss".

When I first watched the Moyers-Campbell exchange in the early 1990s on PBS, I understood very little of what Campbell said. I was still "seeing" myths, etc. from the "disciplined" perspectives of religion or science (psychology, structural anthropology, etc.) and I tried to fit his comments into "my" world view.

I have just finished rewatching the DVD version of these taped interviews, and I now understand more of what Campbell is saying. I've been watching this series with another person who is "searching" and he keeps saying "I don't get that." I want to help him "get it" and I sometimes feel I must appear like Burt Reynolds in one of his films where he took a "New Age" course and rolled on the floor and said "I've got it!!" Campbell says, when you think you've got it you haven't. So all I can say is--I feel I've got something more than I had.

Campbell says human beings will die for a metaphor. We are like the 10 blind men with the elephant--each with a part of the whole, interpreting it through our cultural spectacles. And many of us will die for our interpretation of what "God" is. Even the word "God" is connotive of a belief system. One has only to look at the ideological conflicts the world over to see the results of differing world views. And, it isn't just "religion" either. Beliefs systems underlie economic behaviour as well. Everyone has a belief system--the alternative is madness, which is probably yet another belief system of some sort.

For those raised in a religious tradition (most of us) the notion of giving up the idea of a personal god is painful. And yet, Campbell says one must give up this idea--and that is all it is--an idea. Something you have conceived and believe. Think about it -- "personal god" -- the divine as interpreted by a human (person). Who can do that??

Our metaphors (idea of the divine) form the organizing priciples we address through myths. These myths are the communal poetry of our group, and do what plain old language cannot --approach the divine. Still, singly they fall short.

Campbell compiled and studied myths from around the world and he said these myths reflect the human experience of the divine--or whatever you want to call IT. Of course, I can hear my old anthropology professor saying you cannot lift a "myth" like a sack of flour. The best any of us can do regarding other people's myths is interpret them via our own myths.

At any rate, Campbell has studied myths and seems to think they are like the many strands of fiber in a tapestry--each reflecting a particular aspect of an attribute of the divine and togther they form a whole cloth. He says these reflections or threads and even the cloth should not be confused with the "thing that stands behind."

(pictures from another source)

By what authoritiy does any of us call another's religion "savage" "backward" "barbaric" or worse? Oh I admit, I find some "old time" religions pretty scary and some modern ones too. Campbell says we should not judge...but it is hard not to judge, and if I judge, I use my own interpretation of what is true and good for me.

Campbell was not a religious man at the end of his life, although he began life as a Roman Catholic. One might describe him as a spiritual man. He seems to have believed in a higher power or a divine--something. I think he felt it permeated everything and belonged to everyone and to no one and that no human could fully apprehend it. Bill Moyers (Southern Baptist) says his faith was strengthened by his exchanges with Campbell but in watching the two men on these tapes I have had the impression Campbell was talking past Moyers at times. Moyers still believed in a personal God. Such is the nature of faith in metaphors. By Dianne Foster

The Cider House Rules (1999)

A story about how far we must travel to find the place where we belong.

Just when thoughtful adults despair that Hollywood will never again make movies for them to enjoy, Cider House Rules comes along and gives everybody reason to hope. From its wide, opening shot to its literary ending, this film delivers to its audience an old-fashioned, satisfying, movie-going experience while at the same time focusing on quite a surprising topic: abortion. Framed with Dickensian sympathy for all its characters, Cider House weaves its way in and out of the lives of half a dozen startlingly original people, many of them quite unusual for mainstream cinema. Michael Caine picked up the Oscar (he's a great actor but he's become a kind of beloved pet for middle-aged movie fans) as a drug-addicted humanitarian, yet Delroy Lindo gives the most haunting and complex performance as the black foreman of an apple-picking crew who loves his daughter too much. Tobey Maguire and Charlize Theron make this long film continuously watchable and even warmly sunny despite its repeated turns into dark material, and a gaggle of adorable moppet orphans keep tugging at the heart strings, but not so much you feel abused. A rare modern day classic. By "sprockets"


trailer "the cider house rules"

Friday, October 24, 2008

Yanks (1979)

A sweet, sad movie about people in wartime

A John Schlesinger film, set in World War II in the village of Dobcross, in Greater Manchester, England. Starring Richard Gere, Vanessa Redgrave, William Devane, Lisa Eichhorn, Rachel Roberts and Tony Melody.

Much of the filming took place on location in northern England, especially in localities near Oldham, Stalybridge and surrounding areas. The opening shot of the film is of a war memorial and this is in Stalybridge town centre, and throughout Glossop. The dance party scene was filmed at Hyde Town Hall. The sequence showing the troops boarding the train and making their farewells was filmed at Keighley railway station on the Keighley and Worth Valley Railway, making use of authentic World War 2 locomotives now preserved on the KWVR.

In the build-up to the Normandy landings, thousands of American troops descend upon England. Near a small Lancashire town, a large US Army base is established and soon houses the rambunctious "Yanks" as they are known to the English. On leave in the town, young Arizona man, Matt Dyson (Richard Gere), encounters pretty young Jean Moreton (Lisa Eichhorn) and asks her out to the cinema. She is the girlfriend of a British soldier fighting overseas, and initially rebuffs his advances. He is quite persistent, and she was having her doubts about her relationship with her fiancé anyway. The handsome, brash American sergeant is in stark contrast to the restrained Englishmen she has known. Soon, she is keeping company with Matt, though it is largely platonic at first.

For her part, Helen (Vanessa Redgrave) is a bit more worldly in her affairs. John (William Devane), an American Army captain, comes to her estate often, and a relationship develops, though no actual love scenes are shown. They are both married, but her Royal Navy officer husband is away at sea, and his wife is thousands of miles distant.

Eventually, the kind-hearted Matt Dyson is accepted by the Moreton family, though she is engaged to an English lad. They welcome his visits, when he often brings hard-to-find foods normally on wartime rationing and other presents. But when news of Ken's death in action arrives, Jean's mother condemns their relationship as a kind of betrayal.

Helen and John travel to a Welsh seaside resort, where they make love. Almost immediately after, the Americans ship out by troop train to the South of England to prepare for D-Day. In a mad scene, many of the townswomen, some of them pregnant from liaisons with men they may never see again, scramble to catch one last glimpse of their American boyfriends before the train leaves town. Matt shouts from the train that he will return.

Fantastic Voyage (1966)

Terrific reissue from Fox of sci-fi Cold War gem

A science fiction film written by Harry Kleiner. Bantam Books obtained the rights for a paperback novelization based on the screenplay and approached Isaac Asimov to write it (Asimov 1980:363). Because the novelization was released six months before the movie, many people mistakenly believed Asimov's book had inspired the movie (Asimov 1980:390). According to Fred Schodt's The Astro Boy Essays, FOX also approached NBC to get the rights to an Astro Boy episode which had the same premise, but they never contacted the manga artist or credited him in the final product.

The movie inspired an animated television series, as well as a painting of the same name by Salvador Dalí.

The United States and the Soviet Union have both developed technology that allowed matter to be miniaturized using a process that shrinks individual atoms, but its value is limited because objects shrunk return to normal size after a period of time - the smaller an object is made, the quicker it reverts.

Scientist Jan Benes, working behind the Iron Curtain, has figured out how to make the shrinking process work indefinitely. With the help of the CIA, he escapes to the West, but an attempted assassination leaves him comatose, with a blood clot in his brain.

To save his life, Charles Grant (the agent who extracted him, played by Stephen Boyd), pilot Captain Bill Owens (William Redfield), Dr. Michaels (Donald Pleasence), surgeon Dr. Peter Duval (Arthur Kennedy) and his assistant Cora Peterson (Raquel Welch) board a submarine, the Proteus, which is then miniaturized and injected into Benes. The ship is reduced to one micrometre in length, giving the team only one hour to repair the clot; after that, the submarine will begin to revert to its normal size and become large enough for Benes' immune system to detect and attack.

The crew faces many obstacles on their journey. They are forced to detour through the heart (a temporary cardiac arrest must be induced to avoid destructive turbulence), the inner ear (all in the lab must remain quiet to prevent similar turbulence) and the alveoli of the lungs (where they replenish their supply of oxygen). When the surgical laser needed to destroy the clot is damaged, it becomes obvious there is a saboteur on the mission. They cannibalize their radio to repair the laser. When they finally reach the brain clot, there are only six minutes remaining to operate and then exit the body.

The traitor, Dr. Michaels, knocks Owens out and takes control of the Proteus while the rest of the crew is outside for the operation. Duval successfully removes the clot with the laser. Michaels tries to crash the sub into the clot area to kill Benes, but Grant fires the laser at the ship, causing it to veer away and crash. Michaels is trapped in the wreckage and killed when white blood cells attack and destroy the Proteus. Grant saves Owens from the ship, and they all swim desperately to one of the eyes, where they escape via a teardrop.


Trailer, Fantastic Voyage,1966

Dave (1993)

Whimsy & Intrigue in the White House

A comedy-drama movie written by Gary Ross, directed by Ivan Reitman, and starring Kevin Kline (in a dual role), Sigourney Weaver, Frank Langella, Kevin Dunn, Ving Rhames, Ben Kingsley, and Laura Linney. Ross was nominated for an Academy Award for his screenplay which is based on Anthony Hope's novel "The Prisoner of Zenda." Kline's performance was nominated for a Golden Globe Award.

This movie is one of those gems that quietly grows on you -- each viewing creating anticipation and appreciation for its wit and style. The casting is superb. Kevin Kline doesn't know how to give a bad performance. Frank Langella's brilliant characterization of the ambitious, power-hungry 'man behind the throne' is perfect, and a wonderful contrast to his long-ago role as the cad/seducer in Diary of a Mad Housewife.

This is definitely a movie to buy because it needs to be seen many times. The innumerable funny pearls in this movie alone are worth the price of the DVD. For Minnesotans, one of the slyest gags was Dave's gig early in the moview, imitating the President at the grand opening of Durenberger Motors in his home town. The movie was released around the time that David Durenberger (Minnesota's senior senator) was embroiled in an ethics scandal. A personal favorite moment was the scene where Dave (with the help of his accountant buddy played by Charles Grodin) pares the federal budget to save a homeless shelter for children -- the cabinet members bemusedly participating just like a family sitting around the kitchen table wrestling with its own budget. Priceless. By "valleyranchdressing"

Footloose (1984)

One kid. One town. One chance.

The story of Ren McCormack (played by Kevin Bacon), a teenager who was raised in Chicago. McCormack moves to a small town where the town government has banned dancing and rock music. Ren and his classmates want to have a senior prom with music and dancing. They must figure out a way to get around the law and Reverend Shaw Moore (played by John Lithgow) makes it his mission in life to keep the town free from dancing and rock music.

The movie was loosely based on events that took place in the tiny, rural farming community of Elmore City, Oklahoma. Much of the film was filmed in Utah County.

Dean Pitchford wrote the screenplay (and most of the music) for Footloose, Herbert Ross directed the movie, and Paramount Pictures co-produced and distributed it.

Oscar winning director Michael Cimino was hired by Paramount to direct the movie when negotiations with Ross initially stalled. After four months working on the film, the studio fired Cimino, who was making extravagant demands for the production, and ended up hiring Ross.


Footloose also starred Lori Singer as Reverend Moore's independent daughter Ariel, a role Madonna also auditioned for. Dianne Wiest appeared as Vi, the Reverend's devoted yet sympathetic wife.

Footloose is one of the earliest film appearances of Square Pegs star Sarah Jessica Parker as Ariel's friend Rusty, a role for which she was nominated for Best Young Supporting Actress in a Motion Picture Musical, Comedy, Adventure or Drama at the Sixth Annual Youth in Film Awards. It was also an early role for Chris Penn as Willard Hewitt, Ren's best friend, who doesn't know how to dance until Ren teaches him.


The film was made at various locations in Utah County. The high school and tractor scenes were filmed in and around Payson, Utah and Payson High School. The church scenes were filmed in American Fork, Utah. The steel mill was the Geneva Steel mill. The final sequence is filmed in Lehi, Utah, with the Lehi Roller Mills featured in the final sequence.


Footloose - Original 1984 Trailer

Thursday, October 23, 2008

Spirit Space (2008)

A Journey Into Your Consciousness

Fred Alan Wolf ( who was featured in the recent hit movie What the Bleep Do We Know?, and The Secret) earned his Ph.D. in theoretical physics. He continues to write, lecture throughout the world and con duct research on the relationship of quantum physics to consciousness. He is the author of 11 books including Taking a Quantum Leap which received the National Book Award. Don Miguel Ruiz Born into a family of healers, don Miguel Ruiz has embraced the centuries old legacy of healing and teaching the nagual and carries forward the esoteric Toltec knowledge. Don Miguel shares the wisdom that resulted in the creation of The Four Agreements. His views of a universal peace are shared in the film, Spirit Space. They provide a spiritual but practical sense to the topics discussed and students of his will appreciate the wisdom and comfort that he shares. Edgar Mitchell Among authors trying to bridge the gap between cience and spirit, former astronaut Mitchell brings unique credentials. Originally scheduled for the ill-fated Apollo 13 mission, Mitchell, as told in this smooth blend of autobiography and exegesis, journeyed to the Moon in 1971 (and generated great controversy over ESP experiments he conducted on the flight).

Allow yourself to travel even further down the quantum rabbit hole in a quest for answers to age old questions. Discover remarkable possibilities as to what and how our consciousness works with the world around us. Listen to possibilities of what happens to our consciousness before and after death. Challenging Quantum physics theories and how they affect how we perceive the world anciently and today, both spiritually and scientifically.

This film acts as a progressive travel log for human life attempting to answer questions that mankind has been seeking since the dawn of thought. What were we before we came here? Why do we need to be here? And what in the world happens to us after we die? Spirit Space also opens cases from individuals who have been hypnotically regressed to a point between lives,after death, and even before birth. Not only does the film grapple with reincarnation, the spirit world, and the nature of the human soul it also tackles equally sticky questions such as Is there a Heaven and Hell? What is a spirit? Viewers with a penchant for skepticism will balk at the lack of physical evidence to back up the claims in Spirit Space, but the film remains a reassuring voice, affirming that our existence is not limited to the boundaries of our mortal flesh.


Spirit Space Extended Trailer

The Opus (2008)

From Vision to Plan to Performance

The Opus is the story of a young man who pursues his dream in the face of impossible challenges and succeeds. That young man is Vivaldi - one of the greatest violinists of our time!

Along the way this unique and powerful film introduces lessons from the world's top teachers and achievers including Jack Canfield, Dr John Demartini, Dr Joe Vitale, Morris The Miracle Man Goodman, Mark Victor Hansen and Douglas Vermeeren to name but a few. They will teach you how to unlock your own amazing possibilities and how to create your own personal opus and your life as you want it.

This masterpiece reminds you that you are the composer of your own life, and every note, no matter how small, contributes to the final opus of your life.

In your heart, you know you want to do something. Make the decision! Whatever it is now is the time to take action on your greatest desires. Dare something worthy! Fulfil your greatest vision and realise your true potential in life.

What will your opus be?

One dictionary defines an Opus as 'the most grandiose and memorable composition of a composer's life and legacy'. It is this definition that we wish to acknowledge. It is this definition that is the objective of the film The Opus. Every person born on the planet arrives with the potential to create an incredible Opus. But only some people do. Why is that? In this spectacular follow up to The Law of Attraction, you will find amazing insights from top achievers and teachers on how to turn your intentions into accomplishments. Douglas Vermeeren

Saturday, October 18, 2008

Hocus Pocus (1993)

The ULTIMATE Halloween Treat!

In the 1600s, the Sanderson sisters bewitched people. The three aging women, lusty Sarah, portly Mary, and sinister leader Winifred, were particularly fond of performing a certain spell that would keep them alive and young forever, with repeat use of course. Unfortunately, that particular spell required a living child as the key ingredient! One fateful Halloween night, that unpleasant honor went to adorable little Emily Binx, sister of teenaged Thackery, who immediately ran to his sibling's aid when he heard she'd been lured by Sarah Sanderson to the witches' home in the woods. This was not a well thought out plan though, and the cost was not only the life of his sister Emily, but his own humanity as well. Emily's lifeforce was drained from her body by the three Sanderson witches, and big-brother Thackery Binx was transformed into an immortal black cat, cursed to live forever with the guilt of his failure to save his sister! Luckily for the rest of the children of Salem, the Sanderson sisters were captured that night and hung for their crimes, but not before their living book of spells revealed to them a curse to bring the three back from the dead on All Hallow's Eve when a virgin lights the black flame candle.

300 years later, teenager Max Dennison is a newcomer to Salem, struggling to adjust after growing up in a California lifestyle. It isn't going well for Max. Bullies are stealing his sneakers right off his feet, the girl of his dreams snubs him due to his lack of interest in Halloween, and his little sister, Dani, is ever the pest. Now, he must spend the evening escorting her door to door for trick or treating while their parents enjoy the town Halloween dance. Things are about to go from bad to worse for Max, however. Just when he believes things are looking up after he and Dani convince dream-girl Allison to take them to the old Sanderson house, Max's efforts to impress the girl lead him to light the black-flame candle himself, bringing Sarah, Mary, and Winifred Sanderson back from the dead! From there on out, it's a non-stop, fun-filled chase as the witches pursue the children, determined to make sassy-mouthed Dani the subject of their next youth spell, which must be performed before dawn or else the witches will be gone forever! With the immortal, talking black cat Binx guiding them along, Max, Dani, and Allison work together to outrun, outwit, and outlast the evil trio and their magical arsenal, with the fate of all the children of Salem hanging in the balance!

In "Hocus Pocus," director Kenny Ortega, who also gave us the equally underrated and enjoyable cult-classic "Newsies," brings us a perfect Halloween movie that's actually great fun any time of year! With a fantastic cast headed up by the legendary Bette Midler and "Eerie Indiana's" Omri Katz, awesome music (Hey, Disney, where's the soundtrack?!), a hilarious script that incorporates all the Halloween essentials, and brilliant special effects, "Hocus Pocus" easily ranks as one of my favorite films of all-time! Moments such as the bus ride, the encounter with the motorcycle cop, the visit to the Master's house, and, of course, the Sanderson sisters performing "I Put a Spell On You" at the town party just make this movie fun, fun, fun! The witches may be creepy at times and totally dangerous, but they have a Three Stooges vibe going throughout that keeps things from getting too scary. However, this film CAN be a bit much for younger kids. Yes, despite feeling generally like a typical Disney live-action flick from the `90s (a great time for Disney live-action), there are some surprising moments. The witches do off little Emily in the beginning of the film by stealing her "essence," they do use some mild swearing and the virgin joke is unnecessarily hammered into the ground, and, yeah, some folks might find certain aspects scary, but only the very young I'd wager. Basically, this film was targeted at `tweens and teens, and, had they gone to see it, it would probably have been a hit. Unfortunately, it wasn't till repeat airings on the Disney Channel that most people discovered this gem of a holiday film. As for me, I saw it in theaters and am so glad I did! I wish we'd get more Halloween films like this one! This is how I like to see witches on Halloween! Cackling, riding brooms across the sky, and hunting trick or treaters! That's the concept of Halloween witches that scared me as a kid, and that's what I'd like to see more of in Halloween films today! The DVD is sadly bare-bones. Totally disappointing for such a spectacular cult classic! Still, it is without a doubt a must own for annual viewings at the very least!

For more must watch Halloween viewing, check out "It's the Great Pumpkin, Charlie Brown," "Sleepy Hollow," "Ichabod and Mr. Toad," the original "The Worst Witch," "Garfield Holiday Celebrations," the Casper, Addams Family, and Harry Potter films, "Return to Oz," "Raggedy Ann and Andy and the Pumpkin Who Couldn't Smile," "The Night Dracula Saved the World," "The Monster Squad," "Ernest Scared Stupid," "The Witches," "Mad Monster Party," "Spaced Invaders," "Love At First Bite," "Abbott and Costello Meet Frankenstein," and see my Halloween listmania lists for more! Also, for more great `90s Disney live-action films, check out the Mighty Ducks film series, "The Adventures of Huck Finn," "Dick Tracy," "Cool Runnings," "Newsies," "Tom and Huck," the "Honey, I Shrunk the Kids" films, "101 Dalmatians," "Rudyard Kipling's The Jungle Book," "The Santa Clause," "Tom and Huck," "White Fang," "Heavyweights," "The Rocketeer," "Three Musketeers," "Iron Will," and more! But don't forget about classic Disney live-action either, or their great `80's stuff, like my number one favorite film, "Who Framed Roger Rabbit!" With great new stuff like "Herbie: Fully Loaded," "Holes," "Pirates of the Caribbean," and the "Chronicles of Narnia," it seems that Disney live-action is still going strong! By Monty Moonlight

Shirley Valentine (1989)

Shirley's a middle-aged Liverpool housewife, who finds herself talking to the wall while she prepares her husband's chip'n'egg, wondering what happened to her life. She compares scenes in her current life with what she used to be like and feels she's stagnated and in a rut. But when her best friend wins an all-expenses-paid vacation to Greece for two, Shirley begins to see the world, and herself, in a different light.

SHIRLEY VALENTINE is a gentle charmer of a comedy, based on the acclaimed play by Willy Russell. Pauline Collins (of UPSTAIRS DOWNSTAIRS fame) plays the title character, a role she received much acclaim for on the London and New York stage.

Shirley Valentine is a sparky and charming yet downtrodden woman in suburban London. Her husband thinks she's "gone `round the pipe", her children have left the nest, and she leads a mostly-solitary life talking to her kitchen wall. In the throes of what can only be described as a "no-life mid-life crisis" , Shirley takes off with her best friend (Alison Steadman) for a two-week holiday in Greece. There, she has a fling with a smooth-talking bar owner (Tom Conti) and comes to know the real pleasures that life has to offer. And, more importantly, Shirley Valentine comes to know herself.

Pauline Collins turns in a fabulous performance as Shirley (she was nominated for the 1989 `Best Actress' Oscar but lost to Jessica Tandy in DRIVING MISS DAISY).

Tom Conti bravely plays the thankless role of Costas, with Joanna Lumley, Sylvia Syms and Julia McKenzie all offering top performances in well-written supporting roles. Bernard Hill plays Shirley's husband in a cleverly-nuanced performance. Gillian Kearney is a delight as the younger Shirley during the highschool flashback sequence.

By Byron Kolln

(pictures from another source)

Friday, October 17, 2008

Anjani - Blue Alert (2006)

A trinity of good things...

Written and arranged by Anjani and Leonard Cohen and produced by Cohen, Blue Alert melds haunting melodies with exquisite lyrical imagery leading us gently along the erotic landscape with stories of desire and despair.

Through the long hot nights of summer and early autumn I have been listening to the ten newest songs from Leonard Cohen, almost unbearably sad in their themes and beautiful in their bareness, yet turned sultry and smoky and rich with a full-bodied looseness thanks to his collaborator in life and in art, Anjani. The songs on Anjani's album (as it is officially), Blue Alert, are all about goodbye and "closing time" and passing away from the scene. “Tired" is the word that recurs, and "old," and the picture that Cohen uses for himself on the back cover (as the album's "producer") makes him look out of focus and almost posthumous, fading from our view. Yet when such songs of parting and old age are delivered by a young, fresh, commanding woman singer, they take on a much more complicated resonance. Sweet as much as bitter, with the echo of spring in the dark of early winter. By Pico Iyer

Wednesday, October 15, 2008

No Way Out (1987)

Heart quenching and suspenseful ...

Often, a film is compared to "No Way Out"--it's a gold standard of political thrillers. Made in the 80's, it holds up well in its genre. Now it's on DVD (without many "extras"--just the release trailers) and that's worthwhile if you are a political thriller fan.

Gene Hackman does his usual excellent job as a power-monger Secretary of Defense. He plays it subdued with restrained violence; you know this is a man capable of nearly anything. Will Patton is stunning as the bootlicking lackey, and Costner is reasonably good as the hapless pawn (?) of the Secretary's machinations. Sean Young plays a nervy, Washington bimbo. She's annoying, but actually, that seems to be part of the character and I thought she was superbly cast. The horror of the 80's overly-ornate costuming and gaudy makeup are the only hint of the age of this film.

The story is laden with clues dropped in a seemingly meaningless way and the tension builds superbly, racheting suddenly with a surprise in the action. At the end, another surprise is delicious, especially if you picked up all the red herrings (I didn't. Maybe you will.) If you love political or espionage thrillers, this one has a great payoff. By Joanna Daneman


NO WAY OUT - HQ Trailer ( 1987 )

Point of No Return (1993)

Courtesy of Bridget and Nina...

Although lacking in some respects compared to the French original (you end up hoping that Bridget as assassin will pulverize her whimpering boyfriend with one of those big, big machine guns), Bridget Fonda as the star and Nina Simone with the soulful soundtrack give this movie the edge over La femme Nikita in at least two important departments. Bridget's performance here amazes me every time I see it--simultaneously believable as a feverishly trained assassin and a tragic hero so cute you just want to reach out and pinch her cheeks. But the highest marks go to the soundtrack. The writers of the adaptation wove in Nina Simone as a motif throughout the movie, well-complemented by 5 Nina songs, including "Feeling Good" and a cover of "Here Comes the Sun" tracked to the "relationship" scenes that /ALMOST/ make you forget how much you'd like Bridget to terminate her relationship with extreme prejudice..... Provides soulful reflection absent from the French original, and worth watching more than a few times for that reason alone. Pretentious naysayers say this remake has gone through the Hollywood ringer, but it's an A+ action-flick-plus-morality-tale spun before Quentin Tarantino made it socially acceptable for PBS-watchers to admit they like 'em. Give it a chance. By Keith Levenberg


Point of No Return 1993 Trailer

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